are.na
A Latest Trails
- Kozo processing and washi papermaking in Ino, Japan
- Material animations & titles design for upcoming feature documentary film by Sybilla Patrizia, with Nik Arthur
- Art direction for upcoming experimental short film by Nik Arthur
- Visual identity for re:arc institute, with Michelle Kuan
B Select Clients
Arc'teryx, GANNI, Houndstooth Label, Inter/Access, Northwestern University, Ploeg Arts, re:arc institute, Tyler McGillivary, University of Toronto
C Collaborators
Nik Arthur, Eric Francisco, Elena Kirby & Masumi Rodriguez, Michelle Kuan, Hinako Omori, Rebecca Wilkinson
2018
Royal Danish Academy, Visual Communication
2023
2022
2021
2021
2020
2020
2019
Rhode Island School of Design, Typography Elective
Cyanotype Workshop, EQ Bank
Variable Axes & Superglyph, Collisions Workshop, studio basic
Zurich University of the Arts (ZHdK), Visual Communication, Offshore Studio
OCAD University, Graphic Design Workshop
Launchpad SUMMIT, Frontier Panel Discussion & Workshop, Artscape Daniels Launchpad
OCAD University, Graphic Design Workshop
It's Nice That
The Malee Scholarship (Sharp Type)
TYPEONE Magazine Issue 06
The Pangram Paper (Pangram Pangram) 1
The Pangram Paper (Pangram Pangram) 2
Grilli Type
2022
2021
2021
2021
2020
2020
2019
2019
2018
2018
2016
Ontario Arts Council, Artist-Presenter Collab. Projects
Toronto Arts Council, Creative Communities Grant
Canada Council for the Arts, Digital Now
The Malee Scholarship, Women of Typographic Excellence
OCAD University Medal in Graphic Design
Nora E. Vaughan Award
RGD Awards, Typography, Honourable Mention
ADCC Student Competition, Graphic Design, Silver Winner
Mariah’s Fund Scholarship
Joubin-Selig Bursary
Jan van Kampen Scholarship
Last Updated 26.03.05
Where Grape Leaves Grow
2022
- Book Design
- Glyph Design
- Spatial Design
- Chlorophyll Printing
- Art Direction
- Photography
Where Grape Leaves Grow is a book by Anna Daliza that tells the history of Maronite Catholics of Lebanon over the last two thousand years, while interweaving the story of Anna’s family, and her experience of growing up as a second generation immigrant in the white-suburbs of South Western Ontario. This narrative is told through a dialogue between two unnamed voices: the voice of a child grieving the loss of their Lebanese maternal family, and what can only be described as a familiar and soothing voice akin to the child’s Lebanese ancestry.
The design of “Where Grape Leaves Grow” honours the story’s poetic approach to dialogue through an expressive and evolving textual layout. Custom-made glyphs representing the growth cycles of a grapevine are embedded throughout the book. The book’s materiality and extended 2-panel cover are inspired by the wrapping of warak enab, Lebanese stuffed grape leaves. Together these elements culminate in a highly intimate and one-of-a-kind artist’s book.
Collaboration with Michelle Kuan
Book Photography: Marni Marriott